“We must starve for food”
In 1823 the Company government in India received a petition from 12,000 weavers stating: Our ancestors and we used to receive advances from the Company and maintain ourselves and our respective families by weaving Company’s superior assortments. Owing to our misfortune, the aurangs have been abolished ever since because of which we and our families are distressed for want of the means of livelihood. We are weavers and do not know any other business. We must starve for food, if the Board of Trade do not cast a look of kindness towards us and give orders for clothes.
Proceedings of the Board of Trade, 3February 1824.
“Please publish this in your paper”
One widowed spinner wrote in 1828 to a Bengali newspaper, Samachar Darpan, detailing her plight:
To the Editor, Samachar,
I am a spinner. After having suffered a great deal, I am writing this letter. Please publish this in your paper ... When my age was … 22, I became a widow with three daughters. My husband left nothing at the time of his death … I sold my jewellery for his shraddha ceremony. When we were on the verge of starvation God showed me a way by which we could save ourselves. I began to spin on takli and charkha.
The weavers used to visit our houses and buy the charkha yarn at three tolas per rupee. Whatever amount I wanted as advance from the weavers, I could get for the asking. This saved us from cares about food and cloth. In a few years’ time I got together … Rs. 28. With this I married one daughter. And in the same way all three daughters.
Now for 3 years, we two women, mother-in-law and me, are in want of food. The weavers do not call at the house for buying yarn. Not only this, if the yarn is sent to market it is still not sold even at one-fourth the old prices.
I do not know how it happened. I asked many about it. They say that Bilati 2 yarn is being imported on a large scale. The weavers buy that yarn and weave … People cannot use the cloth out of this yarn even for two months; it rots away.
A representation from a suffering spinner.
Answer: This was because the nawabs and rajas used swords and armor. So, the swords and armor-making industry died with the conquest of India by the British, and imports of iron and steel from England displaced the iron and steel produced by craftspeople in India.
Answer: I would have adjusted to the situation in the following ways:
Answer: Cotton and Silk had a large market in Europe. Different varieties of Indian textiles like Chintz, Cossaes or Khassa and Bandanna were sold in European markets.
Answer: Jamdani is a fine muslin on which decorative motifs are woven on the loom, typically in grey and white. Often a mixture of cotton and gold thread was used.
Answer: Bandanna is a brightly coloured and printed scarf for the neck or head. Originally, the term derived from the word ‘bandhna’ and referred to a variety of brightly coloured cloth produced through a method of tying and dying.
Answer: The Agaria refers to a community of iron smelters. They were specialized in the craft of iron smelting.
(a) The word chintz comes from the word _________.
(b) Tipu’s sword was made of_________ steel.
(c) India’s textile exports declined in the _________ century.
A. Chhint (Hindi word)
C. 19th century.
Answers: The names of different textiles tell us about their histories as mentioned below:
(i)Muslin: European traders first saw fine cotton cloth from India carried by Arab merchants in Mosul in present-day Iraq. Hence, they named all finally woven textiles as muslin.
(ii)Chintz: This name is derived from a Hindi word chhint, a cloth with small and colourful floral designs.
(iii)Bandanna: This name is derived from the Hindi word ‘Bandhna' that is referred to a variety of bright coloured and printed scarves for the neck or head.
(iv)Calico: When the Portuguese first came to India in search of spices, they landed in Calicut. The cotton textiles which they took back to Europe came to be known as calico, which is derived from Calicut.
Answers: At this time textile industries had just begun to develop in England. Unable to compete with Indian textiles, English producers wanted a secure market within the country by preventing the entry of Indian textiles.
So, by the early eighteenth century, worried by the popularity of Indian textiles, wool and silk makers in England began protesting against the import of Indian textiles. In 1720, the British government enacted legislation banning the use of printed cotton textiles — chintz. The Act was known as the “Calico Act”.
Answers: The development of cotton industries in Britain badly affected textile producers in India:
Answers: This has the following reasons:
Answers: In the early years of its development the Indian textile industry faced several problems:
Answers: I found out about the history of carpets around my area.The origin of carpet weaving in our area is very ancient. This can be traced back to the Buddhist and Mauryan times.The carpet weaving craft is practiced by Mushhar and shepherds which are semi-nomadic.The generally traditional and strong influence of Tibetan and Persian Art is seen in the designs. The images of Hindus Gods and deities, natural scenarios of the hills and geometrical motifs, etc. are included.
The techniques of weaving have been changed to a great extent. Now electrical appliances are also used in this process. Its market has also expanded over time.However, due to the spread of education, many people have shifted to other jobs. Currently, many women from other communities have also taken to carpet weaving. Thus, it is expanding in our area.